To describe a family as 'dysfunctional' is to arbitrarily assume some sense of normalcy exists to justly level the assertion. Fortunately there's no prototypical family devoid of all familial squabbles, addictions, infidelities, lunacy or disparaging. Find me a family without these idiosyncracies and I'll show you their hard drive. People are fallible and families develop deep wounds sometimes rendering them irreparable. But what's alluring regarding the family dynamic is the substantial affliction or euphoria we feel after interactions with - or news pertaining to members of our family. A bond is so intricately woven that even the black sheep longs grudgingly for acceptance.
"The Believers" resonated close to home because it's a novel with characters I know very well. Many aspects of the secular, liberal Litvinoff family resemble the not-so-quaint family I grew up in. The story channels the intellectual and moral quandaries persistenlty faced by a family whose captain fell into a vegetative state. The wife and daughters (and adopted son) are faced with starkly different life choices and each handle their reaction to the stress of their father's demise differently. Close in proximity yet isolated in mindframe, the boisterous mother and the combative daughters reduce the reader to agony over the persistent fighting.
Shakespeare would quiver with the scathing quips delivered by these feisty lionesses.
The Litvinoff's are not without secrets and skeletons, some of which remain hidden for years. Audrey, the near-widow vehemently denies any veracity from an oddball of a woman who claims a son with her unresponsive husband. Her daughter Rosa, a perpetually anguished revolutionary, challenges her intellectual omniscience and flirts with (the much-frowned-upon) religion. Rosa's resentment toward her mother for her hostility and provincialism inflames throughout the novel. Karla, Audrey's other daughter and Rosa's sister, longs for unfeigned affection and respect from her husband, mother and sister. Delegated without objection as the least attractive, least intellectually curious of the bunch, her placid demeanor is often exploited by those who recognize it as a weakness. A social worker, she cloaks her inner loathing with the cheerfulness of Santa Clause. Finally, Lenny, an indolent drifter incites drama and walks away as it simmers. A 16 year-old in a 34 year-old's body, irreverantly dismisses all but partying and drug experimentation.
As you can see, the characters are difficult to love for their flaws are so unapologetically present. Few efforts are made to mollify these vices. In fact, they're viewed as virtues.





















